In October 2001, Newcastle experienced a unique cultural moment as the Knights secured their second NRL premiership. During the city's celebrations, musician Daniel Arvidson performed a song about local landmarks, including a reference to a structure colloquially dubbed the “big penis,” which has since been removed. The song gained significant traction on local radio, becoming an unofficial anthem for the team's winning streak. Arvidson performed the track at a civic reception for the victorious team, where it was reportedly well-received by the crowds in attendance.

Looking back at the past 25 years, the city of Newcastle has undergone significant physical and social changes. The removal of the landmark referenced in the song serves as a metaphor for the broader urban redevelopment and shifting identity of the region. While the sporting achievement remains a central pillar of Newcastle's civic pride, the cultural artifacts surrounding that era, such as Arvidson’s song, highlight a more irreverent side of the city's history that has evolved alongside its infrastructure. The transition from the industrial and somewhat gritty atmosphere of the early 2000s to the modern, redeveloped Newcastle is a point of reflection for residents who remember the 2001 premiership as a turning point for the city's morale and public image.